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20100430
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from 30 April to 18 July 2010
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Exhibition
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<p class="chapeau">Damien Marchal homes in on sound-related questions which then serve as the raw material for his works. For him sound is both a fundamental part of the creative process and a means of allying himself with contemporary practice. The outcome takes the form of installations, performances and interactive systems.</p>
One of the recurring issues in his experiments is the reorchestration of sounds usually considered as pollutant or intrusive: in one instance, echoing John Cage’s free scores, he worked with Pauline Boyer on a composition combining a Kawasaki ZX10R motorcycle and a computer.
For La Criée Marchal has come up with a sound installation using a life-size wooden model of a garbage truck. The piece physically puts the visitor through an aural/visual decision-making experience whose crux is personal responsibility. Drawing on historic and geopolitical facts, the work adopts an aesthetic specific to its subject but only in order to subvert its initial function. In an updating of the past the artist examines a reality both present and to come. Given the possible consequences of the choices called for, viewers can find themselves wondering just what their attitude to the installation should be.
This representation of active decision-making in an artistic, media-inflected and geopolitical context is a core aspect of Marchal’s work, implying as it does a shift from one stance to another. In the context of Ce qui vient the artist’s installation confronts us with such contemporary issues as ambient uncertainty, our freedom of action, and our ability to anticipate and react with appropriate strategies.
Damien Marchal homes in on sound-related questions which then serve as the raw material for his works. For him sound is both a fundamental part of the creative process and a means of allying himself with contemporary practice. The outcome takes the form of installations, performances and interactive systems.
One of the recurring issues in his experiments is the reorchestration of sounds usually considered as pollutant or intrusive: in one instance, echoing John Cage’s free scores, he worked with Pauline Boyer on a composition combining a Kawasaki ZX10R motorcycle and a computer.
For La Criée Marchal has come up with a sound installation using a life-size wooden model of a garbage truck. The piece physically puts the visitor through an aural/visual decision-making experience whose crux is personal responsibility. Drawing on historic and geopolitical facts, the work adopts an aesthetic specific to its subject but only in order to subvert its initial function. In an updating of the past the artist examines a reality both present and to come. Given the possible consequences of the choices called for, viewers can find themselves wondering just what their attitude to the installation should be.
This representation of active decision-making in an artistic, media-inflected and geopolitical context is a core aspect of Marchal’s work, implying as it does a shift from one stance to another. In the context of Ce qui vient the artist’s installation confronts us with such contemporary issues as ambient uncertainty, our freedom of action, and our ability to anticipate and react with appropriate strategies.
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Damien Marchal
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<h3 class="titre-bloc"><strong>curators</strong></h3>
<ul>
<li>Raphaële Jeune</li>
<li>Larys Frogier</li>
</ul>
<h3 class="titre-bloc"><strong>production</strong></h3>
<ul>
<li>La Criée centre for contemporary art, Rennes</li>
</ul>
<h3 class="titre-bloc"><strong>partnership</strong></h3>
<ul>
<li>Art To Be</li>
</ul>
curators
- Raphaële Jeune
- Larys Frogier
production
- La Criée centre for contemporary art, Rennes
partnership
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<span class="t_text">Damien Marchal thanks for their participation: </span>
<ul>
<li><span class="t_text">Pauline Boyer
</span><span class="t_text">MAX / MSP development </span></li>
<li><span class="t_text">Ewen Chauvel
networks and telephony </span></li>
<li><span class="t_text">Richard Louvet
graphics </span></li>
<li><span class="t_text">Philippe Woloszyn
acoustics</span></li>
</ul>
Damien Marchal thanks for their participation:
- Pauline Boyer
MAX / MSP development
- Ewen Chauvel
networks and telephony
- Richard Louvet
graphics
- Philippe Woloszyn
acoustics
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2nd edition les Ateliers de Rennes – biennal of contemporary art
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(or The Poor Man’s Bomber)
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<h3 class="titre-bloc">Ateliers de Rennes – biennal of contemporary arts</h3>
Since 2008, Les Ateliers de Rennes - biennal of contemporary art is a renowned international artistic event in Brittany.
<a class="spip_out" href="http://www.lesateliersderennes.fr/les-editions/incorporated/">www.lesateliersderennes.fr</a>
Ateliers de Rennes – biennal of contemporary arts
Since 2008, Les Ateliers de Rennes - biennal of contemporary art is a renowned international artistic event in Brittany.
www.lesateliersderennes.fr
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artist interview concerning the exhibition
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