Pêle-mêle de L'épais Réel

Format .json
Hash
id Integer 4270
date String 2016-01-19 16:19:42
slug String pele-mele-de-lepais-reel
title String Pêle-mêle de L'épais Réel
content String &nbsp; &nbsp; <strong>Les cartes "détails" :</strong> [gallery link="file" columns="7" ids="4272,4273,4275,4276,4278,4279,4280,4281,4282,4283,4287,4288,4289,4290,4291,4292,4293,4294,4299,4300,4301"] &nbsp; &nbsp; &nbsp; <strong>Les verbes d'action</strong>: <p style="text-align: center;"><span style="color: #808000;">Nager - Marcher - Se poser - Enregistrer - Récolter  </span></p> <p style="text-align: center;"><span style="color: #808000;">Traverser - Risquer - Tomber - Couler - Disparaître</span></p> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <strong>Les cartes "Histoire de l'art"</strong>: [gallery ids="4316,4317,4318,4319,4320,4321,4322,4323,4325,4326,4327,4328,4336,4334,4333,4332,4331,4330,4377"] &nbsp;
    Les cartes "détails" : [gallery link="file" columns="7" ids="4272,4273,4275,4276,4278,4279,4280,4281,4282,4283,4287,4288,4289,4290,4291,4292,4293,4294,4299,4300,4301"]       Les verbes d'action:

Nager - Marcher - Se poser - Enregistrer - Récolter 

Traverser - Risquer - Tomber - Couler - Disparaître

          Les cartes "Histoire de l'art": [gallery ids="4316,4317,4318,4319,4320,4321,4322,4323,4325,4326,4327,4328,4336,4334,4333,4332,4331,4330,4377"]  
excerpt String
content_filtered String <p>&nbsp;</p> <p>&nbsp;</p> <p><strong>Les cartes « détails » :</strong></p> <div class="rgg-container" data-rgg-id="1"> <div class="rgg-imagegrid captions-title captions-effect-none " data-rgg-id="1"> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/2-1-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/2-1-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/3-1-1024x708.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/3-1-300x208.jpg" data-ratio="1.4423076923077" data-height="208" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/5-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/5-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/6-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/6-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/8-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/8-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/9-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/9-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/10-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/10-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/11-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/11-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/12-1024x683.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/12-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/13-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/13-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/17-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/17-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/18-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/18-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/20-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/20-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/21-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/21-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/22-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/22-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/23-1024x682.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/23-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/3785_7-julius-koller-gb-agency-wavy-cultural-situation-ufo-chopok2-682x1024.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/3785_7-julius-koller-gb-agency-wavy-cultural-situation-ufo-chopok2-200x300.jpg" data-ratio="0.66666666666667" data-height="300" data-width="200" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/3785_7-julius-koller-gb-agency-wavy-cultural-situation-ufo-chopok5-682x1024.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/3785_7-julius-koller-gb-agency-wavy-cultural-situation-ufo-chopok5-200x300.jpg" data-ratio="0.66666666666667" data-height="300" data-width="200" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/ImageMerSalvador2.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/ImageMerSalvador2-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/Julius_Koller-Anti_Performance_UFO-1-682x1024.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/Julius_Koller-Anti_Performance_UFO-1-200x300.jpg" data-ratio="0.66666666666667" data-height="300" data-width="200" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/Simon_Faithfull-Self_Portrait-1024x683.jpg" data-rel="rgg" rel="rgg" title="" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/Simon_Faithfull-Self_Portrait-300x200.jpg" data-ratio="1.5" data-height="200" data-width="300" aria-label=""> </a> </div> </div> <p>&nbsp;</p> <p>&nbsp;</p> <p>&nbsp;</p> <p><strong>Les verbes d&rsquo;action</strong>:</p> <p style="text-align: center;"><span style="color: #808000;">Nager &#8211; Marcher &#8211; Se poser &#8211; Enregistrer &#8211; Récolter  </span></p> <p style="text-align: center;"><span style="color: #808000;">Traverser &#8211; Risquer &#8211; Tomber &#8211; Couler &#8211; Disparaître</span></p> <p>&nbsp;</p> <p>&nbsp;</p> <p>&nbsp;</p> <p>&nbsp;</p> <p>&nbsp;</p> <p><strong>Les cartes « Histoire de l&rsquo;art »</strong>:</p> <div class="rgg-container" data-rgg-id="2"> <div class="rgg-imagegrid captions-title captions-effect-none " data-rgg-id="2"> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/45.jpg" data-rel="rgg" rel="rgg" title="Georges M&eacute;li&egrave;s, Le voyage dans la lune, 1902, 15 min, &copy; Art Wiki" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/45-300x232.jpg" data-ratio="1.2931034482759" data-height="232" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/46.jpg" data-rel="rgg" rel="rgg" title="Caspar David Friedrich, Le voyageur contemplant une mer de nuages, 1818, Kunsthalle, Hamburg, &copy; Cybershot800i" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/46-200x300.jpg" data-ratio="0.66666666666667" data-height="300" data-width="200" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/47.jpg" data-rel="rgg" rel="rgg" title="Caspar David Friedrich, La mer de glace, 1823-1824, Kunsthalle, Hamburg, &copy; WIKICOMMONS" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/47-300x224.jpg" data-ratio="1.3392857142857" data-height="224" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/48-811x1024.jpg" data-rel="rgg" rel="rgg" title="Vincent Van Gogh, Autoportrait, 1887, Van Gogh Museum, Amsterdam, &copy; Films Sans Fronti&egrave;res" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/48-238x300.jpg" data-ratio="0.79333333333333" data-height="300" data-width="238" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/49.jpg" data-rel="rgg" rel="rgg" title="Yves Chaudou&euml;t, Simon en cours, &copy; ADAGP 2015" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/49-300x298.jpg" data-ratio="1.006711409396" data-height="298" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/50.jpg" data-rel="rgg" rel="rgg" title="Yves Klein, Anthropom&eacute;trie de l'&eacute;poque bleue, 1960, &copy; Adagp, Paris" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/50-300x166.jpg" data-ratio="1.8072289156627" data-height="166" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/51.jpg" data-rel="rgg" rel="rgg" title="Kandinsky, Improvisation 31, 1913, National Gallery of Art, Washington" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/51-257x300.jpg" data-ratio="0.85666666666667" data-height="300" data-width="257" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/52.jpg" data-rel="rgg" rel="rgg" title="Jackson Pollock, Number one, 1949, Museum of modern californian art, Los Angeles, &copy; 2012 Artists Rights Society" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/52-300x185.jpg" data-ratio="1.6216216216216" data-height="185" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/54.jpg" data-rel="rgg" rel="rgg" title="Performance 4'33'' de John Cage, 1952, &copy; 2002 John Neff" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/54.jpg" data-ratio="0.67340067340067" data-height="297" data-width="200" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/56.jpg" data-rel="rgg" rel="rgg" title="Joseph Beuys, I like America and America likes me, 1974, Ren&eacute; Block Gallery, &copy; Hazan" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/56-300x182.jpg" data-ratio="1.6483516483516" data-height="182" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/58.gif" data-rel="rgg" rel="rgg" title="Buster Keaton, The three ages, 1923" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/58-300x216.gif" data-ratio="1.3888888888889" data-height="216" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/60.jpg" data-rel="rgg" rel="rgg" title="Bill Viola, Five angels for the millennium, 2001, &copy; Bill Viola Studio" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/60-300x225.jpg" data-ratio="1.3333333333333" data-height="225" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/67.jpg" data-rel="rgg" rel="rgg" title="Richard Long, A line in the Himalaya, 1975, &copy; DACS, 2015" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/67-300x223.jpg" data-ratio="1.3452914798206" data-height="223" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/65.jpg" data-rel="rgg" rel="rgg" title="Francys Al&yuml;s, Zapatos Magneticos, Cuba, 1994 " class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/65-300x196.jpg" data-ratio="1.530612244898" data-height="196" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/64.jpg" data-rel="rgg" rel="rgg" title="Francis Al&yuml;s, Sometimes making somethings leads to nothing, Mexico, 1997 " class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/64-300x198.jpg" data-ratio="1.5151515151515" data-height="198" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/63.jpg" data-rel="rgg" rel="rgg" title="Hamish Fulton, Rock Fall Echo Dust (A twelve and a half day walk on Baffin Island Artic Canada summer), 1988, &copy; Barbara Krakow Gallery" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/63-254x300.jpg" data-ratio="0.84666666666667" data-height="300" data-width="254" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/62.jpg" data-rel="rgg" rel="rgg" title="William Talbot, Un chêne en Hiver, &copy; The British Library Board" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/62-300x194.jpg" data-ratio="1.5463917525773" data-height="194" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/61-1024x712.jpg" data-rel="rgg" rel="rgg" title="Nic&eacute;phore Ni&eacute;pce, Point de vue du Gras, 1826" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/61-300x209.jpg" data-ratio="1.4354066985646" data-height="209" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2016/01/579px-Kazimir_Malevich_-_Suprematist_Composition-_White_on_White_oil_on_canvas_1918_Museum_of_Modern_Art.jpg" data-rel="rgg" rel="rgg" title="Mal&eacute;vitch, Carr&eacute; blanc sur fond blanc, 1918, Museum of modern art" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2016/01/579px-Kazimir_Malevich_-_Suprematist_Composition-_White_on_White_oil_on_canvas_1918_Museum_of_Modern_Art-290x300.jpg" data-ratio="0.96666666666667" data-height="300" data-width="290" aria-label=""> </a> </div> </div> <p>&nbsp;</p>

 

 

Les cartes « détails » :

 

 

 

Les verbes d’action:

Nager – Marcher – Se poser – Enregistrer – Récolter 

Traverser – Risquer – Tomber – Couler – Disparaître

 

 

 

 

 

Les cartes « Histoire de l’art »:

 
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colonne1 Array Single String &nbsp; Trois outils "pêle-mêle"sont à votre disposition lors des visites en groupe pour explorer l'exposition collective  <em>L’Épais Réel</em> : les cartes détails, les verbes d'action, les cartes "Histoire de l'Art, Également à votre disposition une sélection d'ouvrages jeunesse ainsi qu'une sélection relative aux œuvres présentées consultables à la Criée dans l'espace documentation "Les Sources". &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <strong>Les cartes "détails":</strong> Pour explorer l'exposition et retrouver à quelle œuvre appartient chaque détail. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <strong>Les verbes d'action</strong>: <p style="text-align: justify;">Ces verbes correspondent aux actions réalisées par les artistes de <em>L'épais réel </em>et servent à mettre en geste certaines œuvres présentées. On retrouve par exemple l'action "marcher" dans les œuvres de Guido Van Der Werve, d'Helen Mirra ou d'Abraham Poincheval. En échos à chacune de ces œuvres une conduite est proposée et adaptée en fonction de l'âge des participants:</p> <p style="text-align: justify;"><em>1/ Choisir un nuage, marcher sur ce nuage</em></p> <p style="text-align: justify;"><em>2/ Marcher ensemble en formant une ligne qui avance tout droit</em></p> <p style="text-align: justify;"><em>3/ Marcher d'après le rythme des mots ...</em></p> &nbsp; &nbsp; &nbsp; &nbsp; <strong>Les cartes "Histoire de l'art"</strong>: <p style="text-align: justify;">Des points communs entre les œuvres de l'exposition et d'autres oeuvres de l'Histoire de l'art peuvent être observés. Avec ce jeu il s'agit d'associer chaque image à une œuvre de l'exposition. Par exemple, la vidéo de Guido Van der Werve peut être comparée au <em>Voyageur devant la mer de Nuages</em> de Caspar David Friedrich. Dans les deux cas, le personnage solitaire affronte les éléments naturels.</p>
  Trois outils "pêle-mêle"sont à votre disposition lors des visites en groupe pour explorer l'exposition collective  L’Épais Réel : les cartes détails, les verbes d'action, les cartes "Histoire de l'Art, Également à votre disposition une sélection d'ouvrages jeunesse ainsi qu'une sélection relative aux œuvres présentées consultables à la Criée dans l'espace documentation "Les Sources".                 Les cartes "détails": Pour explorer l'exposition et retrouver à quelle œuvre appartient chaque détail.                                                         Les verbes d'action:

Ces verbes correspondent aux actions réalisées par les artistes de L'épais réel et servent à mettre en geste certaines œuvres présentées. On retrouve par exemple l'action "marcher" dans les œuvres de Guido Van Der Werve, d'Helen Mirra ou d'Abraham Poincheval. En échos à chacune de ces œuvres une conduite est proposée et adaptée en fonction de l'âge des participants:

1/ Choisir un nuage, marcher sur ce nuage

2/ Marcher ensemble en formant une ligne qui avance tout droit

3/ Marcher d'après le rythme des mots ...

        Les cartes "Histoire de l'art":

Des points communs entre les œuvres de l'exposition et d'autres oeuvres de l'Histoire de l'art peuvent être observés. Avec ce jeu il s'agit d'associer chaque image à une œuvre de l'exposition. Par exemple, la vidéo de Guido Van der Werve peut être comparée au Voyageur devant la mer de Nuages de Caspar David Friedrich. Dans les deux cas, le personnage solitaire affronte les éléments naturels.
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