Bibliographie Spoken Word

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content String Toutes les publications de Félicia Atkinson sont disponibles aux éditions <a href="http://shelter-press.org/">Shelter Press </a>et chez les presses du réel. <i>Animals</i>, <i>Improvising sculpture as delayed fictions</i>, <i>Twenties are gone</i>. [gallery link="file" ids="8382,8383,8384"] <strong>Bibliographie jeunesse</strong> <ul> <li><i>Contes amérindiens en bandes dessinées</i>, éd. Petit à petit, 2008</li> <li><i>La fille qui aimait les chevaux sauvages</i>, Paul Golbe,  Le genévrier éditions</li> <li><i>Heyo</i>, Christian Offroy,  éd. Couleur corbeau, 2012</li> <li><i>Cheval vêtu</i>, Fred Bernard &amp; François Roca,  Albin Michel Jeunesse, 2005</li> <li><i>Ushi</i>, Fred Bernard &amp; François Roca,  Albin Michel Jeunesse, 2000</li> <li><em>Le Petit Poucet,</em> Warja Lavater,  éd. Maeght</li> <li><i>Vide le désert ?</i>, Marie-Ange Le Rochais, Archimède, 1999</li> <li><i>Cactus</i>, Ianna Andréadis,  Petra Ediciones, Mexique, 2005</li> <li><i>Mon premier livre de contes et comptines</i>, Franciszka Themerson, éd. Mémo, collection des Trois Ourses, 2009</li> <li><i>Histoire sans parole</i>, Louise-Marie Cumont,  1993, éd. Les Trois Ourses</li> <li><i>Le Papillon imprimeur</i>,Fanette Mellier,  éd. Du livre, 2016</li> <li>Keith Godard, <i>Sounds</i>, éd. Studio Works, 1992</li> <li><i>Les Bruits du vent</i>, Katsumi Komagata, One Stroke, Japon, 2004</li> <li><i>Santa Fruta, L'histoire d'un cactus et d'un chat</i>, Sébastien Mourrain et Delphine Perret,  Les Fourmis rouges, 2016</li> <li><i>Tout autour</i>, Ilya Green, Didier Jeunesse, 2016</li> </ul> <!--more--> <b>Autres </b> <ul> <li><i>Contes des indiens d'Amérique du Nord</i>, Stith Thompson,  éd. José Corti</li> <li><i>Le geste et l'écriture : Langue des signes, Amérindiens, Logographies</i>, Pierre Déléage, Armand Colin, 2013</li> </ul> &nbsp; <strong>Une sélection proposée par Félicia Atkinson</strong> <strong>Bibliographie</strong> <ul> <li>Max Fraser &amp; Chris Meplon, <i>Muller Van Severen Book</i>, 2014</li> <li>Clarice Lispector, <i>La passion selon GH</i>, éd. Des Femmes</li> <li>Don Delillo, <i>Point Omega</i>, Bebal, 2013</li> <li>Jacqueline Caux, <i>Presque rien avec Luc Ferrari</i>, éd. Mais d'œuvre, 2002</li> <li>Joan Didion, <i>Maria avec et sans rien</i>, Robert Laffont, 2007</li> <li>Tara Rodgers, Pink Noises, Women on electronic music and sound, Duke University Press, 2010</li> <li>David Antin, <i>Parler aux frontières</i>, Vies parallèles, 2017</li> <li>Sarah Crowner, <i>Format</i>, Primary information, 2012</li> </ul> [gallery link="file" columns="4" ids="8386,8387,8388,8390"] <strong>Discographie</strong> <ul> <li>Mort Garson, <i>Mother Earth's Plantasia</i>, Mis, 2015</li> <li>Katlyn Aurelia Smith &amp; Suzanne Ciani, <i>Sunergy</i>, Rvng Intl, 2016</li> <li>Suzanne Ciani, <i>Buchla concerts 1975,</i> Mis, 2016</li> <li>Luc Ferrari, <i>Presque Rien</i>. Indisponible</li> <li>François Bayle, <i>l'expérience acoustique</i>. Indisponible</li> <li>Dorothy Ashby, Hip Harp.</li> </ul> [gallery link="file" columns="4" ids="8395,8394,8393,8392"]
Toutes les publications de Félicia Atkinson sont disponibles aux éditions Shelter Press et chez les presses du réel. Animals, Improvising sculpture as delayed fictions, Twenties are gone. [gallery link="file" ids="8382,8383,8384"] Bibliographie jeunesse
  • Contes amérindiens en bandes dessinées, éd. Petit à petit, 2008
  • La fille qui aimait les chevaux sauvages, Paul Golbe,  Le genévrier éditions
  • Heyo, Christian Offroy,  éd. Couleur corbeau, 2012
  • Cheval vêtu, Fred Bernard & François Roca,  Albin Michel Jeunesse, 2005
  • Ushi, Fred Bernard & François Roca,  Albin Michel Jeunesse, 2000
  • Le Petit Poucet, Warja Lavater,  éd. Maeght
  • Vide le désert ?, Marie-Ange Le Rochais, Archimède, 1999
  • Cactus, Ianna Andréadis,  Petra Ediciones, Mexique, 2005
  • Mon premier livre de contes et comptines, Franciszka Themerson, éd. Mémo, collection des Trois Ourses, 2009
  • Histoire sans parole, Louise-Marie Cumont,  1993, éd. Les Trois Ourses
  • Le Papillon imprimeur,Fanette Mellier,  éd. Du livre, 2016
  • Keith Godard, Sounds, éd. Studio Works, 1992
  • Les Bruits du vent, Katsumi Komagata, One Stroke, Japon, 2004
  • Santa Fruta, L'histoire d'un cactus et d'un chat, Sébastien Mourrain et Delphine Perret,  Les Fourmis rouges, 2016
  • Tout autour, Ilya Green, Didier Jeunesse, 2016
Autres
  • Contes des indiens d'Amérique du Nord, Stith Thompson,  éd. José Corti
  • Le geste et l'écriture : Langue des signes, Amérindiens, Logographies, Pierre Déléage, Armand Colin, 2013
  Une sélection proposée par Félicia Atkinson Bibliographie
  • Max Fraser & Chris Meplon, Muller Van Severen Book, 2014
  • Clarice Lispector, La passion selon GH, éd. Des Femmes
  • Don Delillo, Point Omega, Bebal, 2013
  • Jacqueline Caux, Presque rien avec Luc Ferrari, éd. Mais d'œuvre, 2002
  • Joan Didion, Maria avec et sans rien, Robert Laffont, 2007
  • Tara Rodgers, Pink Noises, Women on electronic music and sound, Duke University Press, 2010
  • David Antin, Parler aux frontières, Vies parallèles, 2017
  • Sarah Crowner, Format, Primary information, 2012
[gallery link="file" columns="4" ids="8386,8387,8388,8390"] Discographie
  • Mort Garson, Mother Earth's Plantasia, Mis, 2015
  • Katlyn Aurelia Smith & Suzanne Ciani, Sunergy, Rvng Intl, 2016
  • Suzanne Ciani, Buchla concerts 1975, Mis, 2016
  • Luc Ferrari, Presque Rien. Indisponible
  • François Bayle, l'expérience acoustique. Indisponible
  • Dorothy Ashby, Hip Harp.
[gallery link="file" columns="4" ids="8395,8394,8393,8392"]
excerpt String
content_filtered String <p>Toutes les publications de Félicia Atkinson sont disponibles aux éditions <a href="http://shelter-press.org/">Shelter Press </a>et chez les presses du réel.</p> <p><i>Animals</i>, <i>Improvising sculpture as delayed fictions</i>, <i>Twenties are gone</i>.</p> <div class="rgg-container" data-rgg-id="1"> <div class="rgg-imagegrid captions-title captions-effect-none " data-rgg-id="1"> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-3.jpg" data-rel="rgg" rel="rgg" title="Animals, Shelter press." class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-3-300x225.jpg" data-ratio="1.3333333333333" data-height="225" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-2.jpg" data-rel="rgg" rel="rgg" title="Improvising sculpture as delayed fictions, Shelter press. " class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-2-300x183.jpg" data-ratio="1.6393442622951" data-height="183" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre.jpg" data-rel="rgg" rel="rgg" title="Twenties are gone, Shelter press." class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-300x180.jpg" data-ratio="1.6666666666667" data-height="180" data-width="300" aria-label=""> </a> </div> </div> <p><strong>Bibliographie jeunesse</strong></p> <ul> <li><i>Contes amérindiens en bandes dessinées</i>, éd. Petit à petit, 2008</li> <li><i>La fille qui aimait les chevaux sauvages</i>, Paul Golbe,  Le genévrier éditions</li> <li><i>Heyo</i>, Christian Offroy,  éd. Couleur corbeau, 2012</li> <li><i>Cheval vêtu</i>, Fred Bernard &amp; François Roca,  Albin Michel Jeunesse, 2005</li> <li><i>Ushi</i>, Fred Bernard &amp; François Roca,  Albin Michel Jeunesse, 2000</li> <li><em>Le Petit Poucet,</em> Warja Lavater,  éd. Maeght</li> <li><i>Vide le désert ?</i>, Marie-Ange Le Rochais, Archimède, 1999</li> <li><i>Cactus</i>, Ianna Andréadis,  Petra Ediciones, Mexique, 2005</li> <li><i>Mon premier livre de contes et comptines</i>, Franciszka Themerson, éd. Mémo, collection des Trois Ourses, 2009</li> <li><i>Histoire sans parole</i>, Louise-Marie Cumont,  1993, éd. Les Trois Ourses</li> <li><i>Le Papillon imprimeur</i>,Fanette Mellier,  éd. Du livre, 2016</li> <li>Keith Godard, <i>Sounds</i>, éd. Studio Works, 1992</li> <li><i>Les Bruits du vent</i>, Katsumi Komagata, One Stroke, Japon, 2004</li> <li><i>Santa Fruta, L&rsquo;histoire d&rsquo;un cactus et d&rsquo;un chat</i>, Sébastien Mourrain et Delphine Perret,  Les Fourmis rouges, 2016</li> <li><i>Tout autour</i>, Ilya Green, Didier Jeunesse, 2016</li> </ul> <p><!--more--></p> <p><b>Autres<br /> </b></p> <ul> <li><i>Contes des indiens d&rsquo;Amérique du Nord</i>, Stith Thompson,  éd. José Corti</li> <li><i>Le geste et l&rsquo;écriture : Langue des signes, Amérindiens, Logographies</i>, Pierre Déléage, Armand Colin, 2013</li> </ul> <p>&nbsp;</p> <p><strong>Une sélection proposée par Félicia Atkinson</strong></p> <p><strong>Bibliographie</strong></p> <ul> <li>Max Fraser &amp; Chris Meplon, <i>Muller Van Severen Book</i>, 2014</li> <li>Clarice Lispector, <i>La passion selon GH</i>, éd. Des Femmes</li> <li>Don Delillo, <i>Point Omega</i>, Bebal, 2013</li> <li>Jacqueline Caux, <i>Presque rien avec Luc Ferrari</i>, éd. Mais d&rsquo;œuvre, 2002</li> <li>Joan Didion, <i>Maria avec et sans rien</i>, Robert Laffont, 2007</li> <li>Tara Rodgers, Pink Noises, Women on electronic music and sound, Duke University Press, 2010</li> <li>David Antin, <i>Parler aux frontières</i>, Vies parallèles, 2017</li> <li>Sarah Crowner, <i>Format</i>, Primary information, 2012</li> </ul> <div class="rgg-container" data-rgg-id="2"> <div class="rgg-imagegrid captions-title captions-effect-none " data-rgg-id="2"> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/220px-PointOmega.jpg" data-rel="rgg" rel="rgg" title="Don Delillo, Point Omega, Bebal, 2013" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/220px-PointOmega-194x300.jpg" data-ratio="0.64666666666667" data-height="300" data-width="194" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-4.jpg" data-rel="rgg" rel="rgg" title="Sarah Crowner, Format, Primary information, 2012" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-4-242x300.jpg" data-ratio="0.80666666666667" data-height="300" data-width="242" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-5.jpg" data-rel="rgg" rel="rgg" title="Tara Rodgers, Pink Noises, Women on electronic music and sound, Duke University Press, 2010" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-5-225x300.jpg" data-ratio="0.75" data-height="300" data-width="225" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-6.jpg" data-rel="rgg" rel="rgg" title="David Antin, Parler aux fronti&egrave;res, Vies parall&egrave;les, 2017" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-livre-6-195x300.jpg" data-ratio="0.65" data-height="300" data-width="195" aria-label=""> </a> </div> </div> <p><strong>Discographie</strong></p> <ul> <li>Mort Garson, <i>Mother Earth&rsquo;s Plantasia</i>, Mis, 2015</li> <li>Katlyn Aurelia Smith &amp; Suzanne Ciani, <i>Sunergy</i>, Rvng Intl, 2016</li> <li>Suzanne Ciani, <i>Buchla concerts 1975,</i> Mis, 2016</li> <li>Luc Ferrari, <i>Presque Rien</i>. Indisponible</li> <li>François Bayle, <i>l&rsquo;expérience acoustique</i>. Indisponible</li> <li>Dorothy Ashby, Hip Harp.</li> </ul> <div class="rgg-container" data-rgg-id="3"> <div class="rgg-imagegrid captions-title captions-effect-none " data-rgg-id="3"> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque-4.jpg" data-rel="rgg" rel="rgg" title="Suzanne Ciani, Buchla concerts 1975, Mis, 2016" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque-4-195x300.jpg" data-ratio="0.65" data-height="300" data-width="195" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque-2.jpg" data-rel="rgg" rel="rgg" title="Luc Ferrari, Presque Rien. Indisponible" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque-2-300x300.jpg" data-ratio="1" data-height="300" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque.jpg" data-rel="rgg" rel="rgg" title="Dorothy Ashby, Hip Harp." class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque-300x300.jpg" data-ratio="1" data-height="300" data-width="300" aria-label=""> </a> <a href="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque-3.jpg" data-rel="rgg" rel="rgg" title="Mort Garson, Mother Earth's Plantasia, Mis, 2015" class="rgg-simplelightbox size-medium rgg-img" data-src="https://correspondances.la-criee.org/wp-content/uploads/2017/04/web-disque-3-300x300.jpg" data-ratio="1" data-height="300" data-width="300" aria-label=""> </a> </div> </div>

Toutes les publications de Félicia Atkinson sont disponibles aux éditions Shelter Press et chez les presses du réel.

Animals, Improvising sculpture as delayed fictions, Twenties are gone.

Bibliographie jeunesse

  • Contes amérindiens en bandes dessinées, éd. Petit à petit, 2008
  • La fille qui aimait les chevaux sauvages, Paul Golbe,  Le genévrier éditions
  • Heyo, Christian Offroy,  éd. Couleur corbeau, 2012
  • Cheval vêtu, Fred Bernard & François Roca,  Albin Michel Jeunesse, 2005
  • Ushi, Fred Bernard & François Roca,  Albin Michel Jeunesse, 2000
  • Le Petit Poucet, Warja Lavater,  éd. Maeght
  • Vide le désert ?, Marie-Ange Le Rochais, Archimède, 1999
  • Cactus, Ianna Andréadis,  Petra Ediciones, Mexique, 2005
  • Mon premier livre de contes et comptines, Franciszka Themerson, éd. Mémo, collection des Trois Ourses, 2009
  • Histoire sans parole, Louise-Marie Cumont,  1993, éd. Les Trois Ourses
  • Le Papillon imprimeur,Fanette Mellier,  éd. Du livre, 2016
  • Keith Godard, Sounds, éd. Studio Works, 1992
  • Les Bruits du vent, Katsumi Komagata, One Stroke, Japon, 2004
  • Santa Fruta, L’histoire d’un cactus et d’un chat, Sébastien Mourrain et Delphine Perret,  Les Fourmis rouges, 2016
  • Tout autour, Ilya Green, Didier Jeunesse, 2016

Autres

  • Contes des indiens d’Amérique du Nord, Stith Thompson,  éd. José Corti
  • Le geste et l’écriture : Langue des signes, Amérindiens, Logographies, Pierre Déléage, Armand Colin, 2013

 

Une sélection proposée par Félicia Atkinson

Bibliographie

  • Max Fraser & Chris Meplon, Muller Van Severen Book, 2014
  • Clarice Lispector, La passion selon GH, éd. Des Femmes
  • Don Delillo, Point Omega, Bebal, 2013
  • Jacqueline Caux, Presque rien avec Luc Ferrari, éd. Mais d’œuvre, 2002
  • Joan Didion, Maria avec et sans rien, Robert Laffont, 2007
  • Tara Rodgers, Pink Noises, Women on electronic music and sound, Duke University Press, 2010
  • David Antin, Parler aux frontières, Vies parallèles, 2017
  • Sarah Crowner, Format, Primary information, 2012

Discographie

  • Mort Garson, Mother Earth’s Plantasia, Mis, 2015
  • Katlyn Aurelia Smith & Suzanne Ciani, Sunergy, Rvng Intl, 2016
  • Suzanne Ciani, Buchla concerts 1975, Mis, 2016
  • Luc Ferrari, Presque Rien. Indisponible
  • François Bayle, l’expérience acoustique. Indisponible
  • Dorothy Ashby, Hip Harp.
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